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“With his lip quivering and hands shaking,” the judge instructed Owens to “sit down and listen to what I have to say.” In a raised voice, he began reading from the statutory bondsman code of conduct, which he had printed out for the meeting. A deputy stood in the only apparent doorway. The judge then arrived, visibly upset, and instructed Elliott and Hall to remain in the lobby while Owens went into his office. When they arrived at the judge’s chambers, an armed deputy took their cell phones.
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On the morning of July 10, Owens went to the courthouse with Elliott and another bondsman, Scott Hall. On July 9, at Elliott’s suggestion, Owens texted the judge, and the judge told Owens to meet him in his office at 9:00 the following morning. “Owens’s post gained a lot of attention,” and the judge asked another bondsman, John Elliott, about contacting Owens. Nathan Owens, a bail bondsman who works in counties in the judge’s circuit, reposted the story to his personal Facebook page and to a large Facebook group called “Overheard at UGA.” Owens added his thoughts about the judge’s handling of the case, expressing his opinion that the defendant should not have been released on his own recognizance. On July 5, 2019, the Athens Banner-Herald published an article about a defendant who had failed to appear in court for the retrial of rape charges after the judge had released him on his own recognizance following a mistrial. Inquiry Concerning Norris (Georgia Supreme Court June 22, 2022). For a discussion of 2 other recent cases on the topic, see “ Thin Skin.”īased on the report and recommendation of the hearing panel of the Judicial Qualifications Commission, to which the judge had not filed objections, the Georgia Supreme Court publicly reprimanded a judge for berating a bail bondsman who had criticized the judge on Facebook.
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Movies that know how to mix the dangerous and the erotic often make edgy, highly diverting thrillers, but “Judicial Consent” is too obvious and too conscious of its form.Another judge has been sanctioned for an inappropriate reaction to public criticism. As Martin, gifted character actor Coleman is wasted in an unrewarding role, while Wirth is there mostly to look good as the stranger with a “mysterious” motive. Will Patton, usually brilliant in small, offbeat roles, is miscast here in the underwritten role of Gwen’s bland husband we never get a sense of the kind of marriage the Warwicks have. For instance, lawyers, particularly women, might find offensive a sex scene in Gwen’s office in which she’s shown reaching orgasm while negotiating an important assignment on the telephone. Dark lofts, swinging doors, empty parking lots and so on are all nicely handled, but they’re also familiar to an audience that always seems to be ahead of the pic’s characters.īedelia gives a charming, dominating performance, but the woman she plays is too intelligent and too bright to behave in such a senseless manner. Though a first-time helmer, Bindley gives his picture a smooth and polished look, displaying some mastery over the genre’s tricks - and visual cliches. The courtroom format relies heavily on finely tuned dialogue and unanticipated revelations, but Bindley’s writing, specifically in the court sequences, is borderline banal and the disclosures aren’t particularly suspenseful. Realizing she’s been set up, Gwen begins a desperate race against time to prove her innocence. Soon, what seemed “circumstantial” evidence turns out to be a well-planned murder, with Gwen as the prime suspect. When Gwen’s roguish colleague, Charles Matron (Dabney Coleman), “a chronic flirt,” is found dead in his office, she’s asked to preside over the case.